This was a big misjudgement in thinking that people cared more about the theatrical experience than just the consumption of the content. >Before then, every entrenched name in Hollywood mocked the internet as something consumers would never prefer for movies. I was so tired of western film at that point and it made me aware that there was so much more out there if I was willing to look for it. It was a breath of fresh air for me in terms of entertainment. I remember seeing Mononoke Hime in the theater, and it was my first introduction to anime. If Netflix hadn't happened, nothing would've changed.Īnd thank God. However, Netflix created a place for big budget, niche content in a way that forced Hollywood to sit up and take notice. Before then, every entrenched name in Hollywood mocked the internet as something consumers would never prefer for movies. I worked in Hollywood when Netflix rolled out House of Cards, and it was nothing less than a revolution for the execs at the time. It really highlights how badly Hollywood used to gatekeep entertainment by owning the distribution tools. Miramax wanted Mononoke Hime to be a 90s Disney film, and when they couldn't cut the film into one, they gave up on it. It flummoxed Miramax, which is what the article is saying.
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